An Artist Alone in the National Parks

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The Captive – It was such a silly thing, when all those tiny boats approached her. She had only been cooling her feet in the river when the tiny armada attacked. Now, it was too late to escape.

An Artist Alone in the National Parks

It sounds like the plot of a horror film, or a really tragic movie on the Lifetime network: woman packs up and drives off to spend her summer camping alone in the wilderness. I was endlessly warned about the risks. Hadn’t I read Into the Wild, didn’t know what was out there? Had I forgotten that bad things always happen to the protagonist in stories like this? Didn’t I realize that I was a defenseless, helpless woman, not only camping, but also camping alone? Was I crazy? Surely, there was some man out there waiting to harm me, stalking me like a hungry tiger. At one point I was even recommended to carry a gun. What if I got hurt hiking, or lost? Could I drag my broken body to safety or would I just die alone in the cold dark forest? What about bears? How would I stay safe amongst all these threats? There was so much to fear, so much to loose, was it really worth the risk?

Fortunately, I don’t watch too much television and Cheryl Strayed’s epic tail, Wild: Lost and Found on the Pacific Crest Trial, is one of my favorite books. Of course, like the beginning of any good adventure, there were moments when I thought, “wow, this could go really badly.”   Instead of worrying, I tucked away my fears and started to plan. On a hot July day, I packed my car and headed out to explore America’s National Park system. I bought a season pass, and over the course of four months, I visited ten parks, camping in eight of them. I decided to stay in the public campgrounds, choosing running water, picnic tables, flush toilets, and pre-made fire rings over total isolation in the backcountry. During the day, I hiked and took photographs, in the evenings I read, cooked, and sat by my campfire. I went to bed early, got up with the sun, and although I was always aware of my aloneness, I never once felt lonely.

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Alice – When Alice reached a certain age, she returned to Wonderland permanently. Everything that had been so disconcerting when she was young, she now found quite comforting, or not so strange that it couldn’t be solved by a cup of strong tea.

When I moved to Mexico two years ago, I had many of the same fears about traveling as a woman alone, only to have them disappear upon arrival. Yes, you do have to be cautious in Mexico, but had I heeded the warnings not to go, I would have missed out on one of the most amazing experiences of my life. Fears hold us back in so many ways, but through facing them we reap such great rewards. With this in mind, I knew that I had to trust in my instincts and see what was out there hiding in the woods. Now, sitting at my desk watching the days get darker and the December solstice approach, I long for my summer spent camping alone. Rather than as a terrifying, dangerous trip, my memories of summer are relaxed and carefree. I set out on this camping adventure, not only to breath fresh air and to sleep under the stars, but to change the course of my life and also my career.

I am a fine art photographer, and for the past five years I have been completely involved in creating a series of long exposure self-portraits. Last April, I finally completed the series and exhibited them as The Secret Garden. I was ready for something new, but my inner critic berated my every effort. I can still hear the chastisements, “it’s all been done before,” “nothing you do is original,” “your work sucks.” I believed it all, and I cowered. My anxieties manifested in my life. I cried, I fought with my boyfriend, I got depressed, I gained weight, and I was sure a complete breakdown was imminent. Things were getting really rough, when one day, deep inside my heart I heard the words: “the only way out is through.” At that moment, I realized I had to make every bad, poorly executed, derivative image I could think of, until they were all out of my system. I had to not only face my fears, but to live up to them and move on. This is when I decided I needed some alone time.

The Weather Girl

The Weather Girl – It pleased her to play with the weather. She enjoyed nothing more that watching raindrops splash and make rings in the pond. It was a great responsibility, being in control of the weather, but occasionally she did as she liked.

I packed up my home in Mexico, sold what I could, and gave the rest away. I said goodbye to the man I had been dating for over a year and headed back to United States. I thought it would all be harder than it was, but when I drove into that first National Park and pitched my tent, I felt freer than I had in ages. Every day I hiked, slowly building up from long walks, until one day I actually trekked sixteen miles and climbed and descended over three thousand feet. It took months to get strong enough, and I had some serious trials along the way, including running out of water more that once. Over time, I learned what I was capable of accomplishing. I began carrying a water filter and eventually anything under ten miles was a breeze.  As I walked, my mind became clearer and more creative. I started having to stop and scribble down ideas along the way. My dreams were vivid and detailed. Soon, I was taking new photos almost every day. Not everything was brilliant, but it didn’t matter anymore because I had so many ideas that I could hardly keep up. I tore down my creative block and was suddenly swimming in pure inspiration.

It all sounds a little dramatic, and it was, right down to my car, which became a dress up trunk full of things scavenged from thrift and vintage stores along the way. I had props, wigs, and costumes.  Occasionally, while wearing make up and dressed in a sparkly ball gown, I surprised other hikers as they passed by.  Fortunately, I wasn’t always alone this summer and I can’t take complete credit for my transformation. After years of travel and living abroad, I felt like I had lost my photographic community. I was creating in a vacuum and it was indeed lonely. To remedy this, I reached out to photographers that inspired me and I took their workshops. It all started with the strobist Syl Arena at the Santa Fe Workshops, then I met Jenna Martin and Joshua Malik in Las Vegas, a few months later I became part of the Wild One’s community in Portland, Oregon, and finally, I met the inspirational Brooke Shaden in Hana, Hawaii. All of these teachers and everyone who came to participate in the workshops pushed me and inspired me to trust myself. I now consider them friends, and feel like a whole new creative world has opened up.

The Seeker

The Seeker – They had traveled hundreds of miles from their jungly ocean home. Now, high above the clouds, in an airless desert, they reached the mouth of the ancient crater. As the sun set before her, and the moon rose behind her, she knew that she must descend to the floor of the sleeping volcano and wait for the full eclipse. Then and only then would she know…

Many of the images I took this summer were really complex composites.  This winter, as I edit them together, I get to re-live my summer adventures. These images are far and beyond anything I believed I was capable of creating and I am so excited to share them. I am proud of myself for facing my fears and heading out into the wilderness alone. I had a few adrenaline filled moments including almost stepping on a rattle snake, but when my car broke down, half the campground came together to get it started, and when I decided to stay in a hotel and abandon my camp for the night because it was raining and miserable, the rangers came to check on me the next day. I was safe. Every fear I had, felt unfounded in the end.  Although, I always carried mace and spent many an hour late at night listening for them in camp, I was never lucky enough to see a bear.

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The Seeker

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The Seeker

Occasionally, I have to reach into the archives and pull something out for this photo of the week project.  This was taken a few weeks back when I was on my family’s organic orchard in Coachella CA.  I wish I had time to shoot every week, alas, I do not, but I am also happy to get to show this image as otherwise it may never have seen the light of day.

The Beauty Queen

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I have been staying alone in my childhood home in Basalt, Colorado for the last ten days.  Surrounded by my past, I decided to look around the house and use props available to me to create this image.  The dress I wore to a cousin’s halloween wedding years ago, and the trophy is some antique, team sportsmanship, horseback riding trophy that was on my parent’s mantle piece.  I’m sure someone won it at one time or another, but I don’t really know its history.

The dress is really over the top, and between watching the Oscars this week and the trophy, I just knew I had to portray the runaway beauty queen.  Unfortunately she finds the world is a cold, cold, place.

Thanks to Brooke Shaden for the texture… what a wonderful blizzard it makes! #shadentextures

Princess Buttercup and her Magical Performing Horse

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I recently had the opportunity to visit my family’s organic citrus farm in Coachella, California.  My parents move out there for the winter and bring their english show jumping horses.  The horse in these photos is my mother’s Andalusian, Penafor or “Pete.” When Pete was young, before he joined our family, he was trained to do tricks for some sort of dinner show in Spain.  Today he will do just about anything for a carrot.  I had the help of my mother and best friend to make these images, as I could not handle Pete and the camera at the same time.  Everything you see here he does for fun and treats.

The idea behind this image was to bring to life the type of crayon drawings little girls do of princesses and their magical white horses.  I wanted to embody every little girl’s fantasy.   Buttercup is a role model princess who is strong, self-aware and poised, but also kind, gentle and loving.

Return to The Ex-Hacienda Jaral de Berrios

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I have already written enough about the Ex-hacienda Jaral de Berrios here, so I won’t bore you with the details.  These are some of the new images I finally got around to editing.  I am trying some new techniques, using textures over the images to give them a little extra sum thin’ sum thin’.  The textures are taken from Brooke Shaden’s texture collection.   I like the effect and I am looking forward to creating a texture collection of my own. Thanks Brooke!  #shadentextures

Statuesque

A few years ago, I walked three weeks of the camino Santiago in Northern Spain.  All I carried for a camera was a little Cannon g12, but it served me well and proceeded to kick the bucket just after the trip.  While walking, I tried to stop in each of the little towns, as well as the big cites and do a little sightseeing.  Somewhere, that I cannot recall, I visited in an ancient church that was being renovated.  The day was rainy, but the light was beautiful.  To protect the weathered old statues, workers had covered them in a protective netting.  There was something so eerie and haunting about these figures.  This week, I took these images as my inspiration.  Rather than netting, I chose fabric, but the result is similar.

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Ex-Hacienda Jaral de Berrio

The hacienda Jaral de Berrio, founded 1774, in the current state of Guanajuato, Mexico, was appointed to Miguel de Berrio y Zaldívar, Marquis of Jaral by Charles III, and was Mexico’s largest hacienda.  Home to generations of the Berrio lineage, it’s wealthiest owner, Juan Nepomuceno de Moncada y Berrio was considered the richest man in Mexico during the 1830s, and was said to have left a hacienda to each of his 99 sons.  During its heyday in the late 19th century, it housed up to 6500 people and had its own railway station, post office, two primary schools, and a parish church.  As was the style in this Francophile obsessed society, the main building was lavishly furnished and the walls hand frescoed or plied with imported French wallpaper.

Today, the ex-hacienda is a beautiful decaying ruin that houses the Jaral de Berrio mezcal factory.  Visitors have free range to explore every part of this building (at ones own risk of course).  Walls are collapsing, the floors of second story rooms have fallen in places, leaving dangerous holes, ceilings expose open sky, and the whole place is overrun with vermin and birds.  Completely ransacked over the years, there are no windows or doors, the wooden frames are stripped, fixtures are gone, and all of the copper wire has been pulled directly out of the plaster walls, leaving violent grooves.  The ex-hacienda truly is the embodiment of the old cliché “faded glory.”  That being said, it is possibly one of the most magical places I have ever been, and I am so lucky to have had the chance to visit several times.

These images were taken on two separate occasions and represent the dualities between light and dark, as well as a departure into a bit more lavish costuming.  I have refrained from posting these images, as I am planning on regularly returning to this hacienda to continue to delve into this body of work.  Regardless, it felt like unfinished business not to have posted something, and by something I mean a lot of photos.

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“I wasn’t pregnant yesterday!” 2/52

At thirty-five some things still terrify me.  Topping that list is pregnancy.  I know all you mothers out there will tell me how hard, wonderful, and rewarding having children is, but in my world it is still something of nightmares.  This photo represents the personal conflict of reaching an age where I need to decide whether or not I want to have children.

In this photo, I am horrified to wake and realize that I have become very pregnant over night.  Owing to the fact, that I packed on a few holiday pounds, and since I was a child I have had the ability to puff out my stomach, it’s pretty easy to do a pregger’s belly.  The ultimate disclaimer being: in real life, I am NOT actually pregnant.

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Project 52

Over the past year, I have come to really admire a few young, female, photographers, such as Brooke Shaden and Kristy Mitchell.  Their dedication and endless creativity is such an inspiration.  Although each of their work speaks to a world of dark surreal fairy tales, they both get there in different ways.  Brooke uses photoshop to manipulate her images as a painter would work with a canvas, and Kristy spends hundreds of hours building costumes and sets to fulfill her vision. Each path has its merits and I am fascinated by both as a means to achieving vision.  The one thing they have very much in common with each other is a dedication to their art and a boundless drive to create.

Thus, in honor of these ladies, I am announcing my new years resolution.  I am going to attempt a 52 image project.  This means shooting and publishing one photograph a week for a year.  This project is intended to push my creativity, and my output.   I will be experimenting with all kinds of themes and techniques but trying to stay in the vein of picture making rather than just picture taking.  It won’t all be my best work, maybe there will be some real gems and some total bombs, but ultimatally its just about the process. The one thing I ask for is lots of support.  I do this for myself, but it is always so much easier with cheerleaders, in fact, I think everything is probably better with cheerleaders.

That being said here is my first image:

“I only grew up on the outside”

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