An Artist Alone in the National Parks

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The Captive – It was such a silly thing, when all those tiny boats approached her. She had only been cooling her feet in the river when the tiny armada attacked. Now, it was too late to escape.

An Artist Alone in the National Parks

It sounds like the plot of a horror film, or a really tragic movie on the Lifetime network: woman packs up and drives off to spend her summer camping alone in the wilderness. I was endlessly warned about the risks. Hadn’t I read Into the Wild, didn’t know what was out there? Had I forgotten that bad things always happen to the protagonist in stories like this? Didn’t I realize that I was a defenseless, helpless woman, not only camping, but also camping alone? Was I crazy? Surely, there was some man out there waiting to harm me, stalking me like a hungry tiger. At one point I was even recommended to carry a gun. What if I got hurt hiking, or lost? Could I drag my broken body to safety or would I just die alone in the cold dark forest? What about bears? How would I stay safe amongst all these threats? There was so much to fear, so much to loose, was it really worth the risk?

Fortunately, I don’t watch too much television and Cheryl Strayed’s epic tail, Wild: Lost and Found on the Pacific Crest Trial, is one of my favorite books. Of course, like the beginning of any good adventure, there were moments when I thought, “wow, this could go really badly.”   Instead of worrying, I tucked away my fears and started to plan. On a hot July day, I packed my car and headed out to explore America’s National Park system. I bought a season pass, and over the course of four months, I visited ten parks, camping in eight of them. I decided to stay in the public campgrounds, choosing running water, picnic tables, flush toilets, and pre-made fire rings over total isolation in the backcountry. During the day, I hiked and took photographs, in the evenings I read, cooked, and sat by my campfire. I went to bed early, got up with the sun, and although I was always aware of my aloneness, I never once felt lonely.

Alice

Alice – When Alice reached a certain age, she returned to Wonderland permanently. Everything that had been so disconcerting when she was young, she now found quite comforting, or not so strange that it couldn’t be solved by a cup of strong tea.

When I moved to Mexico two years ago, I had many of the same fears about traveling as a woman alone, only to have them disappear upon arrival. Yes, you do have to be cautious in Mexico, but had I heeded the warnings not to go, I would have missed out on one of the most amazing experiences of my life. Fears hold us back in so many ways, but through facing them we reap such great rewards. With this in mind, I knew that I had to trust in my instincts and see what was out there hiding in the woods. Now, sitting at my desk watching the days get darker and the December solstice approach, I long for my summer spent camping alone. Rather than as a terrifying, dangerous trip, my memories of summer are relaxed and carefree. I set out on this camping adventure, not only to breath fresh air and to sleep under the stars, but to change the course of my life and also my career.

I am a fine art photographer, and for the past five years I have been completely involved in creating a series of long exposure self-portraits. Last April, I finally completed the series and exhibited them as The Secret Garden. I was ready for something new, but my inner critic berated my every effort. I can still hear the chastisements, “it’s all been done before,” “nothing you do is original,” “your work sucks.” I believed it all, and I cowered. My anxieties manifested in my life. I cried, I fought with my boyfriend, I got depressed, I gained weight, and I was sure a complete breakdown was imminent. Things were getting really rough, when one day, deep inside my heart I heard the words: “the only way out is through.” At that moment, I realized I had to make every bad, poorly executed, derivative image I could think of, until they were all out of my system. I had to not only face my fears, but to live up to them and move on. This is when I decided I needed some alone time.

The Weather Girl

The Weather Girl – It pleased her to play with the weather. She enjoyed nothing more that watching raindrops splash and make rings in the pond. It was a great responsibility, being in control of the weather, but occasionally she did as she liked.

I packed up my home in Mexico, sold what I could, and gave the rest away. I said goodbye to the man I had been dating for over a year and headed back to United States. I thought it would all be harder than it was, but when I drove into that first National Park and pitched my tent, I felt freer than I had in ages. Every day I hiked, slowly building up from long walks, until one day I actually trekked sixteen miles and climbed and descended over three thousand feet. It took months to get strong enough, and I had some serious trials along the way, including running out of water more that once. Over time, I learned what I was capable of accomplishing. I began carrying a water filter and eventually anything under ten miles was a breeze.  As I walked, my mind became clearer and more creative. I started having to stop and scribble down ideas along the way. My dreams were vivid and detailed. Soon, I was taking new photos almost every day. Not everything was brilliant, but it didn’t matter anymore because I had so many ideas that I could hardly keep up. I tore down my creative block and was suddenly swimming in pure inspiration.

It all sounds a little dramatic, and it was, right down to my car, which became a dress up trunk full of things scavenged from thrift and vintage stores along the way. I had props, wigs, and costumes.  Occasionally, while wearing make up and dressed in a sparkly ball gown, I surprised other hikers as they passed by.  Fortunately, I wasn’t always alone this summer and I can’t take complete credit for my transformation. After years of travel and living abroad, I felt like I had lost my photographic community. I was creating in a vacuum and it was indeed lonely. To remedy this, I reached out to photographers that inspired me and I took their workshops. It all started with the strobist Syl Arena at the Santa Fe Workshops, then I met Jenna Martin and Joshua Malik in Las Vegas, a few months later I became part of the Wild One’s community in Portland, Oregon, and finally, I met the inspirational Brooke Shaden in Hana, Hawaii. All of these teachers and everyone who came to participate in the workshops pushed me and inspired me to trust myself. I now consider them friends, and feel like a whole new creative world has opened up.

The Seeker

The Seeker – They had traveled hundreds of miles from their jungly ocean home. Now, high above the clouds, in an airless desert, they reached the mouth of the ancient crater. As the sun set before her, and the moon rose behind her, she knew that she must descend to the floor of the sleeping volcano and wait for the full eclipse. Then and only then would she know…

Many of the images I took this summer were really complex composites.  This winter, as I edit them together, I get to re-live my summer adventures. These images are far and beyond anything I believed I was capable of creating and I am so excited to share them. I am proud of myself for facing my fears and heading out into the wilderness alone. I had a few adrenaline filled moments including almost stepping on a rattle snake, but when my car broke down, half the campground came together to get it started, and when I decided to stay in a hotel and abandon my camp for the night because it was raining and miserable, the rangers came to check on me the next day. I was safe. Every fear I had, felt unfounded in the end.  Although, I always carried mace and spent many an hour late at night listening for them in camp, I was never lucky enough to see a bear.

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Leyenda Eterna

I met Foxie Flambé last summer camping in Jackson Hole, Montana.  We had both been invited to a spiritual gathering that celebrated the opening of the Sacred Door Trail, a 165-mile long, nondenominational, circular, pilgrimage route.  For four days and nights, we kept a sacred fire burning, listened and participated, while spiritual leaders from faiths around the globe blessed the space.  For many of us, it was an intense and changing experience, full of great joy and great release.  On the last night, Foxie sidled up to me and asked if I would be interested in wearing a feather Mohawk.  Obviously, I said yes.

Fast-forward seven months, I get an email from Foxie asking me to purchase a ticket for the festival event Leyend Eterna.  At first, I balked, and totally missed the chance.  I had reservations, the event was being held across the Mexicali border in a desert canyon in Baja, Mexico, an area known for border violence.  Knowing I had missed the opportunity, I stopped thinking about it until a month later when I received another email, they had released more tickets.  At the time I was traveling through Mexico and had nothing but a suitcase full of clothes, no camping gear whatsoever.  Foxie promised me that she was fully equipped to host me.  If I just showed up at her house in Orange County a day or so before the event to purchase food and pack, she had all the camping gear and costumes I would ever need.  I bought the ticket.

One month, and a pickup truck brimming with gear later; I was watching the sunrise as we drove south.  What followed was one of the most unique festival events I have ever attended.  Leyenda is much like Burningman, but set in an arid desert canyon with an oasis of palm trees and fresh running hot and cold springs.  The six hundred or so participants are assigned small campsites, each with their own natural hot tub.  During the day, hot weather is offset by hiking up to icy waterfalls, where one can brave high rock jumps into the deep pools below.  On Saturday, there is an annual pool party where all attendees come dressed in their finest festival regalia to dance, swim, and enjoy their vice of choice.  Thankfully, the main stage does not bump twenty-four hours a day, which allows you to really enjoy the tranquil, natural beauty, of the place.  At night though, the party is on and everyone gets down on the dance floor until the sun comes up.

I was encamped right next to the main stage with Hullabaloo.  The core of camp Hullabaloo is a group of circus performers known as Lucent Dossier.  Needless to say, over the top pranks, performances, and general shenanigans were the norm and there was never a moment when someone wasn’t in hysterics laughing.  I felt super welcome in this group, and I am so thankful that knowing no one but Foxie, I was surrounded by such fun-loving, caring souls.

Each night, as the moment struck me, I snuck off and did photo shoots in the beautiful, moonless, desert, darkness.  Although, on very dark nights the challenge is to figure out how to light myself, the stars that appear in these images really bring out a special beauty.  For a few of these shoots, I was able to borrow Isis wings from Foxie, a special treat that I hope to revisit someday.  I am really happy with the work that I accomplished over these four nights, the last being a photo shoot with Miss Foxie Flambé herself.  Enjoy the images, and if anyone ever sends you an invite to Leyenda Eterna, don’t hesitate!

As always, double click to enlarge and please feel free to share, repost and subscribe.  Xoxo –janelle

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Hierve el Agua

A few years ago I saw a travel photo of my friend Lauren Lewis standing in one of the most beautiful natural infinity pools in the world.  This image really made an impression on me and I knew that one day I would have to try to shoot an image there.  Turns out that the location is Hierve el Agua, a few hours drive into the mountains outside the city of Oaxaca, Mexico.  Created by natural spring that has a very high mineral content, thousands of years has left cascading deposits that flow down the mountain side in frozen waterfalls.  On the top of this unusual formation are pools of water where bathers can swim on hot days.

As reluctant as I am to get up early, we were in our van by 7am and at the pools by 9am when they open.   I was just able to take these images before the hoards started to arrive.  Thankfully, I was traveling with a group of photographers that appreciate shooting without other people around.  This is one location I would love to photograph over and over again just to see how different cloud formations, sunsets and sunrises affect the images.

Normally, I pride myself on having crisp in focus images, but while shooting this I accidentally dropped my neutral density filter into the water.  I dried it carefully and put it back on my camera, but I didn’t realize that the water had left behind a really nasty film.  The effect of this film was an incredibly beautiful soft focus.  Although this is not my normal modus operandi, I actually love the effect.

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Xochicalco

In the Mexican state of Morelos, there is an ancient temple complex that may date as far back as 200bc.  This archeological site is known as Xochicalco or “the place of flowers,” and during 700-900ad it was populated by up to 20,000 inhabitants. The actual identity of the people who lived there is unknown, but they are believed to have been Mayan influenced.  Although in its heyday, it was a bustling trade city, this place is now a tranquil park, more suited for meditation, and contemplation.

The day we went to Xochicalco was hot and humid, two things that this polar bear does not suffer well.  As soon as we reached the temple complex, I was off and running, trying to make as many different images as possible before my sightseeing companions got bored and wanted to head home.  Within ten minuets of working I was drenched in sweat.  I really wish I had had more time to explore, as Xochicalco is truly magnificent.  Although, it is an UNESCO World Heritage Site, you basically have the run of the place and can climb the temples and explore the ancient ruins at will.  I don’t know if in the hour I had to shoot, I was able to capture much, but I do know in the future I would love to return to another temple complex.  In the end, I got scurried away by a grounds keeper that wouldn’t let me use my tripod, but was fascinated by what I was doing.  He kept trying to to use my camera to take my photo for me.  If my phone hadn’t started to ring, telling me to come back to the car, I’m sure I could have gotten a final shot with more than one of me standing on the top of the temple.

I used my Neutral Density filter for these images, and although I do love it, I am still learning how to make the best images.  I have not yet decided such things as how I look in sun versus shadow, etc.  After doing so much work at night, I can generally visualize exactly what will happen in any given circumstance, but in daylight I am often surprised. One of the things I don’t love about this filter is the color shift; it generally muddies and grays out colors.  Thus, I decided to push them off the gamut.  I like the results, but they are not set in stone.

Yellowstone National Park

After the council of The 13 Grandmothers, my friend Terra Celeste and I went to Yellowstone National Park for the first full moon in August. Upon leaving Grandmother Margaret’s home, we were asked to take an offering to the Medicine Wheel in eastern Wyoming.  This location is one of the oldest sacred spots in North America and may have been built over 10,000 years ago.  Different indigenous tribes have been coming and doing sacred ceremonies there for so long, no one is exactly sure who built it in the first place. The meeting of the Grandmothers was a very intense experience, and it was really nice to complete the ceremony at the Medicine Wheel, with an offering of tobacco and prayers.

As we continued our journey, through the park to the town of West Yellowstone, we saw an owl, a pair of coyotes, and a buffalo, all wandering in the middle of the road.  After arriving, we had quick dinner, checked into our hotel, and headed back into the park to see how geysers and thermal water look under a full moon.  August in Yellowstone is high season, and you can expect throngs of tourists unless you head out in the middle of the night.  With the exception of a few other photographers, we had the place to ourselves.  If Yellowstone is a magical place by day, it is far more amazing by full moon.  As we walked around the geysers, moist steam rolled off the thermal pools and punctuated the chilly air; intermittently enveloping us in shifting clouds of blinding, white, warmth.

Over the next two nights, we shot for several hours in the park and came up with some really nice new images.  I would love to return to Yellowstone, as I feel like there is so much more we could have done.  I love the color and texture in the park, from the vibrant blues of a full moon sky to the rainbow colors of the pools.  Although, I think they do work in most of these shots, one of the hardest things about shooting in the park are the walkways.  It was a real challenge to either incorporate them, or to hide them in the images.  Regardless, I am very happy with what happened during this shoot.  I think that a few of these photos really need to be viewed big, so please click on them to enlarge.

The Thirteen Grandmothers

This summer I was invited by my friend Terra Celeste to attend the 11th council of the Thirteen Grandmothers.  I had no idea what I was getting myself into by attending this gathering, and in a lot of ways the repercussions of this event may directly affect my life for the next several years.  The thirteen grandmothers are indigenous women from different cultures around the world.  They are on a mission to pray in their own individual and collective ceremonial ways in order to bring peace, and balance back to the universe.  Although these women are often confined to walkers and wheelchairs, make no mistake; they are possibly the most powerful group of women I have ever encountered.

The Council was held on the Lame Deer Cheyenne reservation in eastern Montana.  Cheyenne grandmother Margaret Behan hosted this gathering.  Originally, three hundred participants were expected, but over the course of the four-day encampment, over seven hundred arrived from around the world.  I, like many others, did not know what to expect but the importance of this council was quickly evident, especially in regard to the Cheyenne people.

Initially, the event was to be held at Grandmother Margaret’s house.  After a forest fire came within a few hundred feet of her property only days before the opening, the gathering was moved to the local public powwow grounds, a move that proved to be quite fateful.  Although, the grandmothers are on a peace mission, change often comes with great resistance. After only a short time on the reservation, I was given a crash course in tribal politics.  Basically, it is tradition for the elder men to speak and hold council, and although women are generally free to express their opinions, they do not make important tribal decisions or hold councils of their own.

By bringing the grandmothers to the reservation, Margaret was going against thousands of years of tradition and was met with physical and psychological opposition.  A group of militant young men came onto the powwow grounds before the event and threatened cause problems if the grandmothers did not cease and desist.  This clearly shook up everyone involved and after a meeting between the grandmothers that lasted into the wee hours of the night, they decided to proceed.  Thankfully they did, because this may have been one of the most important events held in recent Cheyenne history.

As the days progressed, the grandmothers prayed, and began telling their stores, both personal and historical.  They told of war, oppression, massacre, marginalization, and the loss of land, food, water and children, they mourned the loss of old traditions and ways of living.  Many white people also came forward with stores of their own, including the great grandniece of General Custer, who asked forgiveness for her family’s roll in oppressing and murdering the Cheyenne people.  Slowly, the men started to come around, to hear the stories, and witness the healing the grandmothers were offering.  By the end of the gathering, many of the tribal chiefs had don their feather headdresses and welcomed the grandmothers, thanking them for taking action and opening their eyes to the possibilities of a new future.

So much happened while I was at this event I cannot begin to summarize everything in this brief blog.  Suffice to say, I saw a wild wolf, ran out into a lightning storm, witnessed a crowd react to a tiny ancient Nepali woman the way one would expect from a revival church, slept in a tipi, and made a promise I intend to keep.  In our final meeting, Grandmother Margaret asked me to return to the reservation and hold a photography workshop for the local kids.  I am just starting to work out the details of this agreement which involves a lot of research, grant writing, and planning, but hopefully by next summer I will be able to fulfill my commitment to Grandmother Margaret.

Ghost Horses

Sometimes good ideas really do come like bolts of lightning.  In early June, I went to my best friend and co-collaborator, Aloyse Blair’s, bachelorette party.  We all flew out to Colorado for the Telluride Bluegrass Festival, where her sister Cecie, had rented a mansion on the ski hill serviced by private cars and a gondola.  Aloyse and I had gone to Bluegrass several times when we were in our late teens and this was such a wonderful opportunity to go back.

We spent four days dancing, drinking, and having an incredible time with thirteen of the most wonderful girls on the planet.  One day, while getting beers at the festival, it suddenly, with no warning, dawned on me that I should take photos with our horses.  Although it might seem obvious, given that my family lives on a horse ranch, it had actually never even crossed my mind.  Long exposure horses: “ghost horses.”  When I got home from the festival, I told my mom who just laughed and said that she had been wondering when I would figure it out.

A few weeks later, after getting back from Montana, while I was taking my workshop at Anderson Ranch, I decided to start experimenting.  I took my mom on a moonless night, and headed out into the field to meet my two elected models, George and Stoli.  I had to have help with this shoot because the horses were really excited to have company and would have clearly knocked the tripod over.  We used a few small lights to illuminate the horses from the front while I did my best not to get trampled.

As per my workshop, I tried to stay close to the camera and tell a story, to bring on the theater.  One of the other exercises from the workshop was to choose the title for the image before it was made.  The title of the first image below (and my favorite) is, “This Time She Came Prepared,” or as Arno nicknamed it, “George the Fire Eating Horse.”  I am really happy with this work and I can’t wait to keep experimenting with horses in the future.

Finding My Vision

This summer, I was fortunate enough to be able to attend a photography workshop at The Anderson Ranch in Snowmass, Colorado. The workshop was called “Finding Your Vision,” and was co-led by Arno Minkkinen: prolific self-portrait photographer, and Jonathan Singer: technical genius extraordinaire.  Having these two team-up was really wonderful, as Arno is a master teacher and conceptual thinker, and Jonathan has an ability with Photoshop and printing beyond compare (as well as a brilliant mind).

Our class was comprised of twelve students whom have varying levels of experience.  As one of the more advanced students, I was really happy to find that the experience level of the others hindered no one in the class.  We all got our time, and we all had the opportunity to learn and grow as photographers (even though a week is a very short time to get anything accomplished).

If you have read some of my previous posts, you may have noticed the growing frustration I have had with my work.  I have been feeling a bit stuck, like my work is not maturing or developing.  It was for this reason I decided to take a workshop.  After sharing some of my images with the class, I was given a private meeting with Arno in which to discuss possible new directions.

Arno himself is quite a poet, and his critiques are certainly an extension of this philosophy.  I find Arno’s style of teaching really helpful for my creative thought process, as it leaves me loads of room in which to learn and explore.  Out of our discussion came this: most of my previous work was either performance art or opera, and now it was time to give the viewer front row seats to the theater!  This means that rather than feeling like the viewer has stumbled upon a performance, or is witnessing a spectacle so large he can only marvel, he is there with you, invited.  Up close and personal.

I can’t say that I have firmly grasped and embraced this in my work yet, but I do feel like it is slowly drawing me somewhere I was not before the workshop.  Yes, I still do opera and performances, but I am also trying to get closer to the camera, to sit in the discomfort of the situation, and to move the work into new realms.  I am excited to see where this takes me over the next year.

One of the new elements added to my work during this period, was finally using my 10 f-stop neutral density filter. This allows me to take long exposure photos during the day.  After years of only working at night, it opens up a lot of time to shoot and practice.  The filter also mimics the conditions I have in full-moon light and forces me to work through some of the issues I have found so troubling.  Since the workshop I have been using this filter a lot, and I am thrilled with the outcome of some of my newest images.

But rather than jump ahead, I am going to show you a few of the images that came out of this workshop, leaving the “ghost horse” series for the next post, as it deserves attention all its own.  Keep in mind that each image was part of a particular assignment so they may feel quite different from the work you have previously associated with this blog.

For more info on Arno Minkkinen: http://www.arno-rafael-minkkinen.com/

For more info on Jonathan Singer: https://www.facebook.com/pages/Singer-Editions-LLC/116575908398381

For more info on The Anderson Ranch: http://www.andersonranch.org/

The Bridgers

Concluding The Sacred Door Trail opening ceremony, a group of us headed to Weston Pew’s stunning family-ranch that nestles up against the Bridger mountain range just north of Bozeman, Montana.  The week spent there was a much-needed decompression after the spiritual intensity of the previous few days.  We spent our time resting, singing along with guitars on the porch, eating home cooked food and going on a bunch of outings.  One of these outings was on the fourth of July and included rafting down the Yellowstone River, eating a picnic lunch, and singing and dancing the night away at the Bank Bar (a local cowboy watering hole), in Wilsall, Montana.

During this time there was a full moon and though I was pretty spent from camping, I found time to take a few photos.  My previously mentioned partner in crime, Melanie Malia, helped me wander out into the moonlight to take some photos with the Pew’s lovely grey horse.  Just as we were starting to get our rhythm, “Bill” the notorious beast of a dog, came and did a fine job of chasing the horses away.  As everyone who was there can attest, the name “Bill” on the ranch is generally said at full volume and followed by some sort of accusation or negative…. “BILL… NOOOO BILL… NO BILL… BAD DOG BILL… STOP THAT BILL… BIIIIILLLLLL!!!!!!!!”

Once Bill was content with the horse situation, he lay down in the road and happily watched us finish the shoot.  As I have mentioned before, I have a very hard time working in full-moon light.  The conditions are very similar to working in daylight and present a huge challenge when working alone.  It’s a bit like being on a fully lit stage with no script, set, or props, and told to just do something cool. Inevitably, whatever you do ends up feelinging a bit contrived and awkward.  Personally, I feel this way about these images, but I have also had some good response to the work, so I feel like I am close to something new.  In the next post I will go into some of what I learned in my workshop with Arno Minkenen… as I try for a breakthrough.

Chiang Mai, Thailand

It has been a really long time since I have done any personal work. It feels so strange not to be working with Aloyse.  I really wish that she had been here tonight. There are just some things that work better when there are two people.  I had to resort to putting the camera remote trigger between my teeth, and well that really didn’t help, so I didn’t get some of the shots I had imagined.

This image is my homage, to not only the golden Buddhist temples I have been visiting here in Thailand, but also to the temple gong that wakes me up every morning at 5am.  I have never been able to sit still and meditate; I have no discipline in that area of my life whatsoever.  I often dream, even make resolutions to start meditating… but nope, it never happens.  So, when that gong starts going off, I snuggle deeper under the covers and smile to myself, thinking of all the wonderful monks on their way to enlightenment, and here I lie, completely content with my suffering, warm in bed.  It’s a silly, delicious moment that I have come to savor in the wee hours of my jet-lagged sleep.  This image is me and my monkey mind… never settling down.