Return to The Ex-Hacienda Jaral de Berrios

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I have already written enough about the Ex-hacienda Jaral de Berrios here, so I won’t bore you with the details.  These are some of the new images I finally got around to editing.  I am trying some new techniques, using textures over the images to give them a little extra sum thin’ sum thin’.  The textures are taken from Brooke Shaden’s texture collection.   I like the effect and I am looking forward to creating a texture collection of my own. Thanks Brooke!  #shadentextures

The Horror

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The Horror

Over the past few months, I have been returning to the Ex-Hacienda Jaral de Berio (about which you can read more here), one of my absolute  favorite places to photograph.  Although, I have an ongoing series that generally fits together, this week I veered off from my usual work.  I think in the past I have always, in so many ways, been portraying the spirit that haunts that place.  After shooting all morning, suddenly in the afternoon, I had the urge to be the one that the ghosts were haunting.  I found myself running around, pretending I was in some sort of horror film.  I was hiding, running, trying to survive, and ultimately succumbing to a very Vertigo, moment, when it all gets to me and I commit suicide.  So this week, I have decided not to just show one image for my photo of the week, but a whole little series.  I would love to know which is your favorite, as only one can truly be my ‘photo of the week.’  Please leave me a message in the comments.

4/52 San Juan de los Lagos

Every year, twelve million pilgrims visit the small Mexican town of San Juan de los Lagos.  It is one of the most venerated sights in Mexico, second only to the Basilica of Our Lady of Guadalupe in Mexico City (where you can view Juan Diego’s cloak with the image of the Virgin of Guadalupe).  The faithful and curious, come to San Juan de los Lagos to see a small thirty-eight centimeter statue made in the 1500’s of sugarcane paste.  Known as the “Smiling” Virgin, “Cihuapilli” in Nahuatl, or just the “Great Lady,” her first miracle is said to have dated back to 1623:

“A family of acrobats had a show which included “flying” over a field of spear points. The seven-year-old daughter fell onto the spears during the act and immediately died. Local women brought the image to the body and prayed over it when the child revived. This miracle made the image famous.[6] Since then, many other miracles have since been attributed to her intercession, often related to recuperation from mortal danger or dangerous illnesses.[7]

Today, many pilgrims still walk on foot to see the virgin, just as they have for hundreds of years.  For this particular pilgrimage, the faithful leave from cites all over Mexico to arrive in San Juan de los Lagos on February second for Candlemas.  Candlemas, is a celebration held forty days after the birth of Jesus, commemorating when Mary was recovered from childbirth and her motherhood was blessed in the church.  This small town of 55,000 inhabitants is mobbed with over two million visitors this weekend alone.  Many flock there to fulfill promises made to the virgin over the past year, lest they be turned to stone!

I was invited to walk with C.A.S.A., an organization for whom I have been volunteering over the past several months.  They provide everything from women’s healthcare, childcare, violence and sexual education programs, GLBT awareness, exercise classes, radio shows, midwife training, and so much more.  On this day, we were walking with the pilgrims as they left San Miguel de Allende to bring attention to the high rates of domestic violence suffered by women across Mexico. Leaving the central square at five am, we walked for about seven hours, as the sun came up over Guanajuato’s beautiful farm country and wild deserts.

Around noon, we headed back to town, and the pilgrims walked on to complete the first of nine days and an over one-hundred-and-twenty-five mile journey.  I arrived home, spent, exhausted, and sore, yet also buoyed, floating, and high.  After a hot bath, and much thanks for a warm bed instead of a night in a tent, I realized I needed more.  Immediately, I made plans to find the pilgrims the following day and continue walking.  Enlisting a good friend, we spent the morning in a taxi chasing down the procession.  They had risen before dawn, to start walking in the cool morning air and had already covered a tremendous distance.  Astounded, it took us almost thirty minutes by car to find them, we could not believe they had already walked more than twenty-five miles in less than two days.  This feat seems fairly plausible, until you realize that at least a third of the pilgrims are over sixty-five and walk with canes, another third are carrying infants or pushing strollers barely suitable for a doll, and the rest are young and able bodied but carry banners, huge crosses, and litter-boxes with venerated saints.  Even so, after the first day, many were limping, their sore feet and nasty blisters the result of walking in miserable cheap sneakers.  Yet they carried on, lifted by the prayer, song, the spirit of the collective and the power of their faith.

A few years ago, I walked three weeks worth of the Camino Santiago in northern Spain, another ancient pilgrimage route dating back to the era of the Knights Templar.  According to pilgrim mythology, along the way, the “angels” of the Camino will often greet you and pass on their blessings.  These assorted souls, generally come out of nowhere and drift back into the ether, but bring you exactly what you need to carry on.  On one very rainy, cold, day, in a section of the Camino where there are no villages for several kilometers, I was feeling discouraged and I had stopped to stretch and rest.  Along came a tiny bowlegged old man, no taller than five feet, wearing a ratty, red, rain poncho and using a long wooden walking staff.

Like a medieval storybook character, his walking stick was adorned with a dangling scallop shell and gourd, both ancient symbols of the Camino.  In his other hand, he had a plastic grocery bag that held a bottle of red wine and few oranges.  Other than that, he carried nothing.  He stopped, pealed an orange and offered me half.  Having walked alone for days, I was in desperate need of companionship, and this was an extraordinary blessing.  We walked together for several hours, and although my Spanish was poor, he told me that he had walked the whole Camino over forty times, and that it was his annual vacation.  This is really something considering the Camino is over five hundred miles long.  Although, I glimpsed him here and there, and he checked in on me every few days to see that I was well, he left me that afternoon with the taste of orange in my mouth and the inspiration to continue my journey.

The pilgrimage to San Juan de los Lagos is no different, and within a few hours of walking on the second day, we met a man in his mid seventies.  This gentleman, had walked to see the virgin every year of his life.  He laughed and told jokes, and then he noted that we had such fair skin compared to his deep walnut brown.  Although, skin color is common topic of conversation in Mexico, and the basis of much classism, what followed was a beautiful discussion of how our hearts are what matter, not our skin color.  This is a deep seated beliefs of mine, but at the moment, it came from a place of such pure love that it was utterly moving. Eventually, our younger legs out paced our companion. When we stopped to wait for him under a tree, even after a long break, he never came, and we were left wondering if he really existed at all.  Repacking our snacks, we walked on, only to encounter even more sweet “angels” on the way.

Along the route, the local villagers come out to support the pilgrims and hand out water, atole, coffee, bread, and fruit.  One of these was a lovely elderly woman, who stopped me as I walked by.  She had pyramids of mandarins, oranges, sweet lemons, and peanuts laid out on a tarp.  She wanted me to photograph the man with whom she sat and to tell me his story.  I am still unsure of their relation, if they were father and daughter, or husband and wife, as their Spanish was colloquial, accented and tough to understand.  What I did glean, was that he was ninety years old and spry, a gift he attributed to previous pilgrimages to see the virgin.  Although a bit hunched over, he fell to his knees to show me that he was still strong enough to dig in his garden, and claimed he was pain free after all these years.  When he laughed, his toothless smile was one of the worlds most radiant and joyous.  We talked to them for a while, taking lots of photos, and when we set off, they handed us a huge plastic bag full of oranges picked from their own trees.  Later in the day, as we climbed a long hot hill, that bag got heavier and heavier, but the fruit was incredibly delicious on our bus ride home and ultimately became the inspiration for this week’s photo.

In both of my pilgrimage experiences, the orange has become the symbol of my journey.  An orange is such a humble offering, yet so full of abundance and the sweetness of life.  Each time, I was overwhelmed with the kindness this gift represented and I hope to never forget the potency of this simple form of generosity.  Thus, for my image, I chose to show a pilgrim approaching the virgin, at the end of her travels, offering an orange.  She has nothing more to give, yet could not give anything more.  The orange in this image, is one my “angels” gave me that afternoon.

The Pilgrimage:

Janelle_Pietrzak-10The doorway to the Paroquia, overflowing with pilgrims as they listen to a 4am mass before leaving for San Juan de los lagos.

Janelle_Pietrzak-12After mass, preparing to leave.

Janelle_Pietrzak-11Locals handing out a sweet hot punch, in front of the church, to warm a chilly morning.

Janelle_Pietrzak-13Traditional dances in the main square kick off the procession.

Janelle_Pietrzak-14Walking along the train tracks as the sun begins to rise.

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Janelle_Pietrzak-16The lights of San Miguel de Allende, still lit in the early morning light.

Janelle_Pietrzak-17Watching the procession.

Janelle_Pietrzak-18The young carrying crosses, banners and saints.

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Janelle_Pietrzak-25Sunrise over the Laja River.

Janelle_Pietrzak-26Local tough guys and their massive cross.

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Stopping for a free breakfast of tortillas, chicken mole, and rice.

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The procession along the road, each church had their own bullhorns and were singing and saying prayers at the same time.  Quite a racket.

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The back of the procession is followed up by men who carry stretchers, so they can ferry any fallen pilgrims along the way.

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A family rests.  These are not massive SUV strollers they push for a hundred miles.

Janelle_Pietrzak-33Much of the way is walked on hard pavement that exhausts your feet.  A crew on four wheelers stops traffic to keep the pilgrims safe.

Janelle_Pietrzak-36So many faces.

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Janelle_Pietrzak-43The path veering off the road into the harsh but beautiful Guanajuato desert.

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Pilgrims in the landscape.

Janelle_Pietrzak-2Resting under a tree.

Janelle_Pietrzak-6Local farmers taking an afternoon siesta.

Janelle_Pietrzak-4The best smile in the world.

Janelle_Pietrzak-5Beer break.

Janelle_Pietrzak-8Naughty kids take advantage of a very tired father.

Janelle_Pietrzak-9Entrepreneurs

Janelle_Pietrzak-7Mobile pilgrims hospital set up in the encampment.

4/52 – The Offering:

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Ex-Hacienda Jaral de Berrio

The hacienda Jaral de Berrio, founded 1774, in the current state of Guanajuato, Mexico, was appointed to Miguel de Berrio y Zaldívar, Marquis of Jaral by Charles III, and was Mexico’s largest hacienda.  Home to generations of the Berrio lineage, it’s wealthiest owner, Juan Nepomuceno de Moncada y Berrio was considered the richest man in Mexico during the 1830s, and was said to have left a hacienda to each of his 99 sons.  During its heyday in the late 19th century, it housed up to 6500 people and had its own railway station, post office, two primary schools, and a parish church.  As was the style in this Francophile obsessed society, the main building was lavishly furnished and the walls hand frescoed or plied with imported French wallpaper.

Today, the ex-hacienda is a beautiful decaying ruin that houses the Jaral de Berrio mezcal factory.  Visitors have free range to explore every part of this building (at ones own risk of course).  Walls are collapsing, the floors of second story rooms have fallen in places, leaving dangerous holes, ceilings expose open sky, and the whole place is overrun with vermin and birds.  Completely ransacked over the years, there are no windows or doors, the wooden frames are stripped, fixtures are gone, and all of the copper wire has been pulled directly out of the plaster walls, leaving violent grooves.  The ex-hacienda truly is the embodiment of the old cliché “faded glory.”  That being said, it is possibly one of the most magical places I have ever been, and I am so lucky to have had the chance to visit several times.

These images were taken on two separate occasions and represent the dualities between light and dark, as well as a departure into a bit more lavish costuming.  I have refrained from posting these images, as I am planning on regularly returning to this hacienda to continue to delve into this body of work.  Regardless, it felt like unfinished business not to have posted something, and by something I mean a lot of photos.

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The Lavender Project

A few weeks after I moved to San Miguel de Allende, Mexico I was feeling a bit overwhelmed.  I was in desperate need of some time away from the city to breathe fresh air, get away from people, and feel that I was in nature.  Thankfully, I had just made a new friend, Carrie Haugh.  Carrie was in the final stages of acting in a short film that would go on to be an official entry in the Guanajuato Film Festival.  The last scene they needed to shoot was a dream sequence that takes place in a flowering lavender field.  Although, there is a lot of agriculture in this area of Mexico, it is mostly known to be a hot and dry climate.  One is much more likely to think of towering prickly-pear cactus trees than French lavender fields.  Alas, this place is always full of surprises.

After forty-five minuets of barreling down a Mexican freeway in an old van with questionable steering and brakes, we pulled onto a dirt road and followed the signs to an enormous lavender farm. For various reasons, Guanajuato is a state from which men emigrate heavily to find work in the USA.  The sad side effect being that whole towns are left with only women, children, and the elderly to continue to support their community.  Rather than allowing these pueblos to sink even further into poverty and ultimately disappear, an NGO out of Albuquerque, New Mexico is bringing in The Lavender Project.  A wonderful program, these co-op lavender farms have created a fantastic renewable source of employment and income (Please visit their web page to find out more: http://thelavenderproject.com/).  The products they make are divine and they have a chocolate-lavender soap that smells so good I could live in it.

It was such a relief to step out of the car and inhale the fresh lavender plants drying out after a light rain.  The film crew went to work and I was left with several hours and a field of my own in which to play.  I even crawled over the fence and into some of the aforementioned prickly pear cactuses to take photos. It really is stunning to spend an afternoon in a place as surreal as a lavender field and I can assure you my need to “get away from it all” was quenched.

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Return to El Charco

After years of returning to San Miguel de Allende, Mexico, I have had several opportunities to shoot images in El Charco del Ingenio Botanical Garden.  This is truly one of my favorite places on the planet.  A constantly changing environment, this place shifts and transforms dramatically with the seasons.  This was the first time I have been there during the height of the dry season, when the presa reveals itself to be an exquisite cracked mud plane.  It was such a strange sensation taking photos in places that, only a few months ago, were under several feet of water.

I arrived at sunset on a hot sunny day expecting to work into a warm and productive night.  Unfortunately, weather in the desert is always unpredictable, and where I had been wearing summery sundresses all week, a bitter cold wind decided to blow in and really ruin our fun.  My companion was truly impressed with my ability to strip down to a dress and get at least a few hours worth of work done.  By the time we returned home we both needed long hot showers to thaw out and get our core temperatures back to normal.

Though the almost full moon and the beautiful location were truly perfect, the freezing temperatures really hindered my creativity.  We left vowing to return the following night but I ended up getting really sick and just could not muster enough late night energy.  Thankfully, the Charco is always there, ever changing but ready for future projects.

As always, click on the images for a larger view, and feel free to share or subscribe.

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El Charco del Ingenio

Above the town of San Miguel de Allende, Mexico is the 160 acre nature preserve El Charco del Ingenio.  Over the past few years this place has become one of my main centers for creativity and inspiration.  I have had the privilege to shoot some of my best photographs in this space as well as work as an invited artist on an incredible land art project.  For this project I built four large-scale altars, one to each of the four directions, incorporating different indigenous mythologies.  When I returned to San Miguel this September, I knew I was going to have to do some new photography in the preserve.  Although you are technically not allowed to be in the park after dark, if you go to watch the sunset and stay for a few hours they are generally tolerant.  I always warn the guards that I will be there late just so we don’t scare the crap out of each other in the dark.  Surprising men with big guns isn’t exactly high on my list of priorities.

The main beauty of the Charco is that there are a plethora of different ecosystems crammed into a small space.  The area around San Miguel is a high altitude (7000ft), two-season (dry and rainy) climate.  The plants are very hardy, and include massive prickly pear cactus trees, very spiny acacias, and lots of grasses.  Water can be quite scarce at times.  In the center of the park is a large dam created wetland that regularly hosts Autobahn bird watching tours and can flood or become a dry mud flat depending on the season.  Below the dam there is a very steep rocky canyon with sheer hundred foot walls.  On hot days you can climb down very sketchy ladders to the shady floor and sit on the boulders amongst cool pools of water.  At the head of this canyon is a large natural spring or El Charco. This spring is said to be protected by a spirit, El Chan, that harms anyone who comes too close.  There are many tales of drowning in the spring and apparently scuba divers have never found the bottom, just a maze of underwater tunnels.  For some reason, depending on the season, the water changes colors and can range from white, red and orange to deep blues and greens.

Once again, my friend Nico came to assist and after watching the sunset from the cliffs over looking San Miguel, we got to work.  The location I scouted was below the dam and above the spring where there are large pools of water and lots of boulders to climb on.  Once we got started, a lovely bright half moon rose to illuminate the scene.  We had such a beautiful experience that evening I’m not even sure I was really concentrating on the work.  Behind us a small waterfall was trickling down, the air was warm and comfortable, the wind was calm, and to my absolute delight the fireflies decided to join us.  To say this was a magical and memorable evening only saddens the great poets.  At one point I think we almost decided to curl up on one of the big, flat, sun-warmed boulders to sleep under the stars.  Honestly, I probably would have done just that if I weren’t half packed and leaving at eight in the morning.

What follows are the last images taken with my old Tamron 10-24 lens.  After shooting probably 60,000 images with this lens, I am really starting to see the quality of the images degrading.  I have heard that the cheap digital lenses eventually wear out, but this is the first one I have actually used to death.  I am not unhappy with the intentions of this work, but I am not thrilled with the image quality.  There were a lot of interesting shots in this group that just didn’t turn out well and I know it has much to do with my lens.  So out with the old and in with the new, I am chomping at the bit to start using my new Nikon 10-24, yippie!